Do Consumers Have to Like you to be Successful? Ask Walmart!

3 12 2010

I find it interesting that Walmart has finally begun to attempt (through much marketing and PR expense) to elevate their brand beyond their platform of being the king of low prices.  Yes, everyone has always known that Walmart had (or at least claimed to have) the lowest prices in town.  But the word also got around through the media as to how they had achieved those low, low prices.  Their reputation of beating up their suppliers to the lowest possible price was reported in publications such a Fast Company.  And their reputation of poor service and even worse treatment of their employees has been publicized again and again, such as in this Bloomberg Business Week blog post.  So many seemed to love to hate Walmart.

So that is likely why, after decades of a single minded focus on low prices, Walmart is finally looking to polish up their image.  They started in 2007 with a new ad campaign and tag line change from “Always low prices.” to “Save Money. Live Better.”   The campaign was much more feel-good than previous campaigns seeking to illustrate how saving money enriches people’s lives.

You may have even noticed that they changed their logo. Did you notice that the little starburst logo is the same icon that your products are scanned over in the checkout line?  A very subtle nod towards their low price mantra.  The fresher color palette and more contemporary font were likely chosen after much research and many focus groups to determine which would seem the most friendly to customers.

And in 2008 they evolved even further.  Could it be true?  Had Walmart actually figured out that people matter (beyond their buying power?). The corporate giant is hard at work to soften their image by joining in the fight to lower healthcare costs, using their weight to help push behind environmental movements towards sustainability and joining in the green movement with inclusion of more green products on their shelves.

It’s funny, though.  Still, I will hear people say, “I went to Walmart….I hate it there, but they were the only place that carried XXXX,” as if they needed to excuse themselves for shopping there.

So with millions spent in advertising and PR and trying to create a more “likeable” image.  Is it possible that we may someday actually LIKE Walmart?

Well, according to a Consumer Reports study in 2010, they still have a long way to go in terms of creating a brand that people actually favor.

I’ll be curious to see how it all unfolds over the next few years.

by Tracy Marlowe





Creative Noggin Rebrands Nix Health After 80 Years

30 11 2010
Old Nix Logo

Old Nix Logo

We were very excited this fall to launch the new brand for our client, the Nix Health Care System.  It’s very rare that we get the chance to do a total brand makeover for a client, from head to toe.  But this was one of those very rare opportunities.

John Streiby, Nix Health CEO, was very forward-thinking when approaching their face lift.  “For 80 years, the Nix has been San Antonio’s best kept secret.  But that is about to change.”

Creative Noggin was honored for the opportunity to work with the Nix as they sought to reintroduce themselves to their San Antonio patients and prospects.

“They have a very interesting story to tell” says Marlowe. “It’s not your traditional health care system. We aimed high and strived to create a campaign that would do justice to Nix’s distinctive positioning.” 

New Nix Logo + Tagline

New Nix Logo + Tagline

Read more: After 80 years in the health care industry, Nix is rebranding itself | San Antonio Business Journal





San Antonio Ad Agency Creative Noggin Launches Cotton Gin Village Website

16 03 2010

Whew. Boy have we been busy! But as promised from an earlier post, we have finally launched the new website for the Cotton Gin Village and Cabernet Grill Restaurant—and I want to tell everyone about it.

First of all, if you’ve never been to Fredericksburg, then you need to plan a trip….NOW. If you have been to Fredericksburg before, then you need to plan another trip….NOW…and be sure to stay at the Cotton Gin Village and eat at least one meal at the Cabernet Grill restaurant.

This place has got to be towards the top of my list of “clients whose product I would like to support on a daily basis.” In a nutshell, it’s a cool B&B complex of elegant rustic cabins and a first class restaurant. The cabins themselves are reminiscent of a time when cell phones and computers didn’t exist. (Hmmmm….maybe that’s why I’m drawn.) And although rustic, they are elegantly simple, clean, cozy and private.

We had the pleasure of photographing several of them and it made me want to just spend a whole week in one, even though I live only a couple of miles away.

The cabins are spaced out around a center courtyard. Although the footprint of the establishment is masked by a lush courtyard and ample space between each cabin. And to top it off, the whole place is surrounded by a cedar and stone wall. It really feels like you’re in a whole different world.

On the other side of “the wall” they have a great big house called “1Big House” that is great for girls weekends, family get-togethers. It’s a two story house that’s got all the modern conveniences with a huge kitchen, two story stone fireplace, big yard with fire pit area and more.

Tucked just inside the entrance of the Cotton Gin Village is the restaurant. And well, you’ll just need to check out the photos on the website to start making your mouth water. The Cabernet Grill has a great lunch buffet and the dinner menu is to-die-for. We spent some time shooting the incredible dishes and were “forced” to eat them. So, needless to say, I’ve been trying to think of reasons we need to shoot more!

If you like Texas wine, you’ll love this—they have the largest Texas Wine list just about anywhere serving wines from vineyards around the state of Texas. But not only do they serve it, their waitstaff is trained to know what wine will pair well with your menu selection. Seriously!

But rest assured. There are no wine snobs at this place. Just meet the Owner and Executive Chef, Ross Burtwell and you’ll understand why. As they say in the corporate world, the culture of a company is the “mirror” of the owner’s attitude, the is no different. A true gentleman and as humble as they come, Mr. Burtwell’s goal is to create a lasting impression and a wonderful experience for all of his guests —whether they’re in a cabin or in a seat in the restaurant.

So if you’re looking for a great place to stay or a great place to eat in Fredericksburg, Texas, take a gander – then pass it on to friends.

Oh – and by the way, we’ve heard through the grapevine that the Wildflowers are going to be GREAT this year!

Cabernet Grill —Texas Wine Country Restaurant
Cotton Gin Village — Rustic & Romantic Lodging
1 Big House — Great Lodging for groups

by Trish McCabe Rawls





What is a virtual advertising agency anyway?

2 12 2009

One of the things that has really helped us to set our agency apart is our unique business model.  It is turning into a boon for our agency time and time again. 

Our agency is a virtual advertising agency.  Basically, what that means is that everyone who works for us works from  home.  That translates into lower overhead for our clients and a lower hourly cost to our clients.  It also means a more focused utilization of our clients’ marketing dollars since we don’t have to pay for receptionists, building rent, fancy conference rooms, furniture, office equipment, etc.

Why virtual, you ask?  It’s funny, but after years of working at larger, full service advertising agencies and managing some of the agencies’ larger accounts, I realized that many of my longtime clients had never even set foot in the agency.  I even had a client with whom I worked overseas for years and the two of us had a fabulous working relationship–even though we never met! 

So, who needs an office!?  Between the power of the Internet and just picking up the telephone now and again, there was really no need.  Unless it was just to keep tabs on everybody and make certain that they are doing their work.  But I realized that, if you work only with self starter-types who are experienced with managing their time and who feel accountable for themselves and making certain they produce the best possible work, you don’t need to manage someone in person.  They can manage themselves as long as they meet their deadlines. 

As much as I love having face time with the people I’m working with, you can just as easily pick up the phone and call someone to chat as to walk into their office to chew the fat.  And when face-to-face brainstormings are needed, there are plenty of coffee shops stocked with caffeine and sugar laden goodies that serve as awesome conference rooms for creative types. 

With much less water cooler gossiping and more concentrated, less interrupted computer time, I find that we are more productive and produce a better end product.  That also means a faster turn time and better strategy and creative for our clients, which they love.  Go figure!

The other nice thing, that I’m seeing is really helping us to win business, is our ability to piece together work teams to meet the needs of our clients rather than just staffing teams based upon who has the bandwidth that is already on-staff.  Since we don’t have any full-time employees, we can matchmake a powerhouse team based upon their experience.  For example, we just won the Fredericksburg CVB account partly because we were able to build a team to work on their account with an average of 15+ years of tourism expertise and experience.  They were truly impressed!

The current economic situation has also helped us tremendously.  Marketing and advertising dollars are often the first place that companies look to trim their spending when the going gets tough.  Needless to say, moving to an agency that is full service like a larger agency but has lower overhead, lower costs, straight-laced billing (no confusing line items and unexpected charges due to larger agency administrative and overhead expenses), more experienced teams with outstanding creative product is pretty much a no brainer!  Or at least many of our current clients find that it is! 

So that’s the scoop on a virtual advertising agency.  Not that other industries couldn’t operate as effectively on a virtual platform.  Do you know of another successful virtual company?  Do tell! 

For more information on virtual advertising agencies, I recommend this great article.

–Tracy Marlowe





San Antonio Advertising Agency Bags the Fredericksburg CVB Account!

1 12 2009

We are so proud that Creative Noggin went toe-to-toe with fifteen other full service advertising agencies–some in San Antonio as well as others in Austin and Dallas–and ended up with the prize…the two-year contract as agency of record for the Fredericksburg Convention and Visitor Bureau. 

Throughout the RFP process, we truly enjoyed meeting with the client and digging our teeth into doing some speculative creative work (sample ad designs, for you non-agency folks out there!)–a great chance for us to flex our creative muscles and show why we would be a great fit for them. 

After being short listed and then presenting against the other four finalists, Creative Noggin was notified that we were selected!  It is definitely one of Trish and I’s proudest wins so far.  And the best part is that we love the client and have enjoyed working with them over the past couple of months. 

We’re looking forward to a long and fruitful relationship…and helping them get as many visitor as possible to Fredericksburg, TX!





Not your Grandma’s B&B in Fredericksburg, Texas!

23 10 2009

Tracy and I have made a point to only work on accounts we truly believe in, so hearing us tout our clients’ products or services is not unusual, but this particular client’s product I just have to tell you about.

This place is called The Cotton Gin Village and Cabernet Grill. It’s located in Fredericksburg, Texas and is one of the most unique places in this quaint town that is the jewel of the Hill Country. By pure definition, the Cotton Gin Village and Cabernet Grill is a complex of 7 rustic but elegant log framed cabins that sit around a circular courtyard with an equally atmospheric and delicious restaurant nestled right in there with it.

One of 7 Cabins at Cotton Gin Village in Fredericksburg

One of 7 Cabins at Cotton Gin Village in Fredericksburg

The property is surrounded by walls made of stone and and those cool vertical cedar branches. Covered in ivy, the walls practically melt into the lush surroundings of tall trees and beautiful flowers. In the middle of the courtyard is a large rock formation with several waterfalls spilling into a moat-like koi pond complete with picturesque lily pads and cattails.

As most of you know, I live in Fredericksburg, so I have passed by this place many times, but since I live here, I’ve never had the need to be a GUEST at a B&B. But this past week, as I spent most of my days shooting some fresh photography for our Cotton Gin marketing projects, I found myself so enamored with the charm of the place, I had myself convinced that it made financial sense to pay a babysitter to spend the night with our kids only to be a couple miles from home. (Look at the money we’d save on gas not driving somewhere else!) Anyway, I digress.

Amazing cuisine at The Cabernet Grill

Amazing cuisine at The Cabernet Grill

Monday’s shoot started with of a portrait of the owner and Executive Chef, Ross Burtwell. A humble and gentle man himself, he certainly sets the tone for the personality of the establishment. I can tell he and his wife work very hard and want to make every customer experience a memorable one.

Then we moved on to shooting some of the food. Let’s see, there was Sesame Fried Jumbo Shrimp, Texas Mixed Grill with Bandera Quail, Angus Beef Cap Steak and Smoked Pork Tenderloin. Then “Texas Tarragon” Shrimp Scampi Sauté. And a ribeye steak. All this followed by Triple Chocolate Mousse Cake, Grande “Cabernet Grill” Cheescake, “Chicken Fried” Pecan Pie and Warm German’s Chocolate Bread Pudding. Although I did wear my “stretchy pants” that day, we couldn’t eat it all. But what we did sample was simply amazing!

Beautiful interiors at the Cotton Gin Village Cabins

Beautiful interiors at the Cotton Gin Village Cabins

The next day we spent shooting interiors of the cabins — each one with its own wood burning fireplace I might add. Huge rustic log beds with hand-stitched quilts. Leather sofas, jacuzzi tubs, front porches with rockers. And CLEAN! Adorned throughout the cabins were empty wine bottles signed and dated by guests as permanent testimonies. And then, of course, we just HAD to photograph the breakfast goodies that get delivered to each B&B guest. Homemade granola, chocolate chip muffins, cinnamon scones, cinnamon rolls. As luck would have it, Ross told us to take all that home with us. After a polite (but totally insincere) refusal, I wrapped them in a towel and dashed them to the van quickly before my guilty conscience got the better of me. It seemed a shame to let something that good go to waste.

The next day we shot in the restaurant. The Cabernet Grill matches the cabins in its rustic charm and relaxing aura. It’s comfortable, yet elegant. There is an upstairs room that is divided into two parts. One area is quiet and romantic with a fireplace and low ceilings. Perfect for that romantic evening out or private party. The other area is more open; tall ceilings with a ginormous longhorn head made out of metal and overlooks the lower level.  If you’re into wine, The Cabernet Grill boasts the largest Texas Wine list and they pair it with their dishes—perfectly! The wait staff is educated on the numerous Texas wines and they even take “field trips” to the wineries to become more educated for the customers. (I wonder if they’re hiring.)

Our last shot was at the “1 Big House.” There is a big main house that they also rent out to large parties or groups. It’s perfect for girls weekends or family reunions. It’s got a massive wrap around porch, two story fireplace, large kitchen and dining room table, loft area, fire pit, horseshoes…and so much. I’m wondering if I could just move in.

So if you’re headed to Fredericksburg anytime soon, check out http://www.cottonginlodging.com (We have NOT redone his website yet, but we’ll repost when we have it done.) And tell them that Creative Noggin sent you. You won’t be disappointed.

By Trish McCabe Rawls





San Antonio Ad Agency Lands Demanding New Client

9 10 2009

Creative Noggin is proud to announce our newest, most demanding client ever. He’s a brand new start up and despite his apparent lack of communication skills and complete inability to understand the value we bring to the table, we’ve got to admit, he is definitely our cutest client!

We can already tell that he sees things from a completely different perspective, so there’s bound to be many sleepless nights, unnecessary temper tantrums and perhaps some reverse psychology in the works when trying to sell ideas. But we’ll do such a great job he’ll be, pardon the expression, peeing in his pants with excitement.

Introducing Hudson Everett Marlowe. Born October 5th weighing in at 8lbs 1oz and stretching 20″. Congratulations Tracy,  Mike and Maya (big sister)!

MAKE MY LOGO BIGGER!

MAKE MY LOGO BIGGER!

by Trish McCabe Rawls





San Antonio Ad Agency Explains Mystery of PMS—Colors that is.

26 08 2009

Sorry all of you out there who are seeking relief from monthly irritability. This post is about the printing industry standard color palatte, otherwise known as PMS.

First things first, PMS stands for Pantone Matching System. (But that’s a mouthful, so hence the acronym.)

I’m sure there isn’t anyone out there that hasn’t at one point stood in front of the magnificent wall of color chips in the paint department of Home Depot or Lowe’s. So pretty, so mesmerizing. Who needs to wait for a post rainstorm rainbow when you can just go to the home improvement paint department?  PMS is kind of like that, except it’s for printing presses, not walls.

When designers create their artwork, they typically select their colors using small, hand-held chip books that fan out with that beautiful rainbow. Each color has a corresponding number. And each color has a CMYK process match (see my earlier post about CMYK.) so designers can have the option of printing it in 4 color process if needed.

When a job is sent to a printer it is either going to print CMYK (cyan, magenta, yellow, black …if this confuses you, see that same earlier post) or PMS colors. The difference is that CMYK printing uses those same 4 colors to create any desired color by combining them. But PMS uses pre-mixed colors – like the ones you get at the hardware store.

Some jobs use both. In these jobs, the printing press has more than 4 ink wells. Ones for the cyan, magenta, yellow and black. And then 2 to 4 more for  PMS inks (or varnishes, but we’ll address that in another blog post.)

Simple, right?

Well, just in case, I’ll let you in on a few important tips to help you have a more cohesive relationship with your PMS color books.

1. What kind of paper you are printing on? This is hugely important because some PMS colors look VERY different on uncoated papers vs coated papers. Your agency’s creative representative should be able to provide you color chips that will show you the difference.

2. Don’t trust the comp or the computer screen for color. Always ask your art director or designer for a color chip to verify it’s what you want. Unfortunately, the color on individual monitors can vary with the way people have it calibrated and the environment it is in. And all office printers are different and will interpret colors differently.

3. Check the process match. If this is a corporate color you are determining — something that will inevitably be printing at some point in time in CMYK, then PLEASE, PLEASE, PLEASE check the process match of that color to make sure you like it. There’s nothing worse gloating over a new, beautiful, PMS printed business card only to discover the same color looks like baby poop when converted to CMYK on your company brochure.

4. Don’t sweat the suffixes. Those letters at the end of the PMS numbers are just on-screen simulations of what the color will print like. It is, in fact, the same color. But  just in case you’re curious…

U = uncoated paper
C = coated paper
M = matte paper
CV = computer video (electronic simulation)
CVU = computer video – uncoated
CVC = computer video – coated

You might be wondering “So when should I use PMS and when should I use CMYK?” Well, not to avoid the question, but it really depends on the project. If it’s a business card that has two distinct colors in the design, then PMS is the way to go. But I have also seen some very complicated brochures printing in PMS colors. Large solid blocks of color often look better when printed as a solid PMS than when printed as a CMYK mix. But discuss the pros and cons with your designer or agency. They should be able to explain how they are recommending your project be printed and why.

I hope this helps. After all, I don’t belive using PMS needs to leave anyone irritable.

by Trish McCabe Rawls





CMYK vs RBG. What’s the difference?

8 07 2009

I was helping my husband create a business card recently and because I’m so freaking busy, he insisted on doing it by himself. He was struggling trying to do it on his own like a toddler refusing mommy’s help in making his first peanut butter and jelly sandwich. It was agonizing watching him trying to figure it out on his own. When he would finally cave in and ask for my help I would let out a huge sigh, kick him out of his seat and take over. (Sorry, it’s just in my blood.)

This happened numerous times throughout this small business card project. But it dawned on me that I take so many things for granted that others struggle with. One thing I had to really explain to him is CMYK vs. RBG.

He is a photographer and most photographers live by RBG. Their digital cameras capture in RBG, their shots look best in RBG and they hand their final images over to their art directors and photo editors in RBG format. Unless they are really savvy in print production, they really wouldn’t have any need to know the difference.

RBG stands for Red, Green, and Blue and, believe it or not, those are the colors that combine to make the colors you see on anything that is back lit, like  computer monitors. It is the computer’s native color space and was based on our own perception of color.

CMYK stands for Cyan, Magenta, Yellow and Black. (Why “K’ for black? I’ll explain below.) These are the colors used for anything that is printed on a press. If you take a photo that you shoot from your digital camera to a photo lab, they will create a continuous tone print — this is NOT what I’m talking about. I mean the photos you see in magazines, on printed materials such as brochures — these are printed on a 4-color process press. The photos are in essence, converted to 4 different layers of colored dots  — Cyan, Magenta, Yellow and Black — and then printed one layer at a time on a press. To the naked eye, you don’t see the dots unless you look really close.

CMYK Dot Pattern

CMYK Dot Pattern

You can convert an image to CMYK using most photographic applications. In Photoshop you simply go under Image — Mode, and then choose CMYK.

So why the “k” for black? Way back in the “olden days” of printing, they referred to the black plate as the “Key plate” since it carried the bulk of the artistic detail. Another reason the printers stuck with the “K” is so it wouldn’t be confused with the “B for blue” in RGB. There, you have one more chance for a piece of pie in Trivial Pursuit.

Some other good CMYK/RBG things to know.

1. Don’t ever compare a CMYK image to an RBG image. (In other words, don’t hold your brochure right up next to your computer monitor displaying the image on the cover of the brochure and expect them to match.) They’ll never match. Your eye interprets color differently from a backlit monitor than it does from a printed piece.

2. RBG images can be saved as JPGs and almost anyone on the planet that has a computer will be able to open them. CMYK images, not so much. Don’t save CMYK as JPG. They like TIF and EPS better.

3. Brilliant color will sometimes look very different when converted to CMYK. Especially brilliant reds. But you can add 5th color plates to your printing for extra “punch”. (But that’s a whole other blog post)

4. If this all confuses you and you don’t want to deal with it, most printers will charge an extra fee to do production work like preparing files for print.

5. Call a printer and ask for a tour. It’s actually pretty cool to see the inner workings of a print shop and how the magazines, brochure and packaging you see everyday are manufactured.

6. Some printing processes will convert the images automatically to what is needed. Specifically, most color copiers (at quick print shops) and home office printers do not care if your images are CMYK or RBG, but you might want to test one of each to see which turns out better, for your own reference.

By Trish McCabe






Do you truly understand your market?

24 06 2009

I know what you’re thinking.  Know your market?  Duh!  Of course I need to know my market!  I wasn’t born yesterday.

But I’m telling you, I am surprised every day at how many marketers out there know only the bare bones about who they are hoping will buy their services or products.  How can you hope to talk with these people if you don’t understand who they are?

Problem number two…companies who say their market is “everyone.”  There’s no such thing as having a market who is “everyone.”  Your market may be huge, but you still need to understand them and why they buy, or should buy, from  you.

Whenever an ad agency starts a creative project, a document called a creative brief is prepared by the account executive.  The purpose of the brief is to distill down all of the critical, project-specific information and weed through all of the superfluous data so that the creative team can execute a strategic piece that will help the client meet the goal they are trying to accomplish with said project. 

Each brief has a section dedicated to the market that this project is trying to reach.  I’ve seen hundreds of these briefs over the years and know that this is one of the key areas that really differentiates a strategic agency account executive from the typical order taking account executive.  Unfortunately, the order taker tends to be the norm at most agencies. 

The typical market section on a creative brief will have three basic areas filled out.  Here’s an example of what you might see:

Gender: 60% female; 40% male

Age: 35-65

Household income: $50,000-$75,000

Now what does this arm the creative team with about this market?  Basically, squat.

Our job as business owners, marketers and/or account executives is to really, TRULY understand our market and put together a killer brief before moving forward on a project.  As an agency, this is one of the services that we, of course, provide for our clients.  But most of our really adept clients already know this information when we first engage with them.  After all, how can you make certain that your product or service is meeting your client or customer’s needs if you don’t know who they are and what makes them tick.

Here’s what you should know about your market:

  1. Who are they?  This is the gender, age range and household income part.  Drill down as far as you can so that you don’t have just broad, meaningless ranges.  If you have a large range of ages, for instance, they may have different reasons for purchasing so you may want to break this market down further and segment them out. 
  2. Who are they, part two?  This is where you really dive into what really drives your market.  Why do they get out of bed each day?  What is their top of mind concern?  Describe your typical consumer?  Describe your ideal consumer?  You need to understand both and figure out who truly is your ideal target.  You can define multiple markets, but identify your primary, then secondary and tertiary markets.
  3. Why should they use your product?  What is the benefit to them?  What problem does it solve?
  4. What differentiates your product from other products?
  5. What appeals to them as a whole?  Are they primarily business owners looking to promote their business?  Are they moms of young children looking to keep their kids safe? 
  6. Where are they?  Is there a geographic nature to them?  Do they hang out at the mall?  Do they spend a large % of their work week in airports?
  7. When should you reach them?  If you understand the cycles that they go through on a daily basis, is there a point at which you can really capture their attention? 
  8. How should you reach them?  What is your ideal medium?
  9. And what voice should you use?  Professional?  Casual?  Empathetic mom?  You want your market to know that you really get them so it’s a good idea to use a voice that mirrors their own thoughts.

Okay, I know that’s a lot.  But if you keep these things in mind when you’re doing an exploration of your market you’ll end up with a much better executed and successful end result, I promise you. 

How do you find these things out?  Talk with your market!  Also, the Internet is a great tool.  Social media, such as blogs and Twitter, can offer invaluable insight into markets.  This ah-hah likely won’t come overnight and will take time.  Plus, things can change with your market so make certain you continue to stay abreast of market trends and updates.  You want to keep your finger on the pulse of what is top of mind.

Last, go ahead and ask your agency if you can approve their creative brief on your next project.  If all it has under target market is age, gender and HHI, then you may have your answer on why their marketing isn’t driving more sales.

by Tracy Marlowe








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